Harrison Ford
Harrison Ford is an American actor. Regarded as a cinematic cultural icon, he has starred in many films over seven decades, and is one of the highest-grossing actors in the world.
Why Harrison Ford Appears in the Documents
Harrison Ford is mentioned in 16 documents within the Epstein file corpus, consisting of 8 articles, 7 emails, 1 education program, originating from the House Oversight Committee.
These documents include titles such as "Vive L’Oscars: Peggy Siegal's Oscar Diary", "Oscars Weekend 2011: A Publicist's Diary", "Oscar Diary" among others. Many of these appearances are in entertainment industry coverage and media articles that mention numerous public figures. Harrison Ford's inclusion in these documents reflects their public profile rather than any specific connection to Epstein.
Disclaimer: Appearing in the Epstein document corpus does not imply wrongdoing, guilt, or any form of association with criminal activity. Many public figures are mentioned incidentally in these documents due to the broad scope of the released materials.
Documents (16)
Vive L’Oscars: Peggy Siegal's Oscar Diary
Peggy Siegal’s exclusive Oscar diary offers a behind-the-scenes, celebrity-packed chronicle of the 2011–2012 Oscar season, tracing how nine Best Picture contenders—led by The Artist, The Tree of Life, The Help, Moneyball, The Descendants, Hugo, War Horse, Extremely Loud & Incredibly Close, and The Ides of March—moved from Cannes into a year of campaigns, glamorous pre‑Oscars parties, fashion moments, and studio strategizing, with sharp, intimate observations from Woody Allen’s abstention to Uggie’s rise and George Clooney’s dual life as actor and humanitarian.
Source: House Oversight Committee
Oscars Weekend 2011: A Publicist's Diary
A seasoned publicist chronicles the fevered 2011 Oscar season, tracing the race between The King’s Speech and The Social Network from glamorous pre-award parties to the desperate, carefully orchestrated campaigns of Harvey Weinstein, Tom Hooper, and their rivals. Through insider anecdotes, fashion, and backstage strategy, the piece exposes how prestige, timing, and relentless momentum shape the outcome, culminating in The King’s Speech capturing Best Picture and Hooper clinching Best Director on a night of glamor, anxiety, and institutional theater.
Source: House Oversight Committee
Oscars Weekend 2011: A Publicist's Diary
A seasoned publicist chronicles the fevered 2011 Oscar season, tracing the race between The King’s Speech and The Social Network from glamorous pre-award parties to the desperate, carefully orchestrated campaigns of Harvey Weinstein, Tom Hooper, and their rivals. Through insider anecdotes, fashion, and backstage strategy, the piece exposes how prestige, timing, and relentless momentum shape the outcome, culminating in The King’s Speech capturing Best Picture and Hooper clinching Best Director on a night of glamor, anxiety, and institutional theater.
Source: House Oversight Committee
Oscar Diary
This insider’s Oscar diary follows a veteran publicist through the 2011 Academy Awards weekend, tracing the high-stakes, behind-the-scenes campaign between The King’s Speech and The Social Network amid a whirlwind of star-studded parties, fashion, and media frenzy. It culminates with The King’s Speech winning Best Picture and Tom Hooper taking Best Director, as the Hollywood power circle negotiates prestige, headlines, and the adrenaline of the awards season.
Source: House Oversight Committee
Oscar Diary
This insider’s Oscar diary follows a veteran publicist through the 2011 Academy Awards weekend, tracing the high-stakes, behind-the-scenes campaign between The King’s Speech and The Social Network amid a whirlwind of star-studded parties, fashion, and media frenzy. It culminates with The King’s Speech winning Best Picture and Tom Hooper taking Best Director, as the Hollywood power circle negotiates prestige, headlines, and the adrenaline of the awards season.
Source: House Oversight Committee
Oscar Diary
Stephanie’s Oscar diary offers an intimate, front‑row narrative of the 2011 awards season, charting the behind‑the‑scenes campaign between The King’s Speech and The Social Network, Harvey Weinstein’s relentless organizing, and a star‑studded crawl of pre‑ and post‑Oscar parties as Hollywood’s power players converge on the Kodak Theatre, culminating in The King’s Speech securing Best Picture and its champions grabbing the spotlight.
Source: House Oversight Committee
Oscar Diary
Stephanie’s Oscar diary offers an intimate, front‑row narrative of the 2011 awards season, charting the behind‑the‑scenes campaign between The King’s Speech and The Social Network, Harvey Weinstein’s relentless organizing, and a star‑studded crawl of pre‑ and post‑Oscar parties as Hollywood’s power players converge on the Kodak Theatre, culminating in The King’s Speech securing Best Picture and its champions grabbing the spotlight.
Source: House Oversight Committee
Proposal for 500,000 Funding for Poetry in America Project
This internal email thread outlines a plan to raise $500,000 as a Harvard gift to Poetry in America (via EdLabs) to fund a three-episode, high-production post-production and distribution project on Modernist American poetry (1914–1945), including interviews with prominent figures and on-location shoots, with HarvardX serving as the backlot for WGBH to deliver TV-quality material while advancing Harvard’s Teaching and Learning priorities; the donors would control the disbursement, a draft budget and budgetary details are proposed, and a February Whitman screening is suggested to accompany the launch, while noting that school-based curricula would come later and that the correspondence contains confidential internal guidance.
Source: House Oversight Committee
Proposal funding for Poetry in America at Harvard
Harvard professor Lisa New proposes securing a $500,000 Harvard gift to Poetry in America via EdLabs, with discretion over disbursement to HarvardX and WGBH, to fund post-production and distribution of a Modernism-focused history of American poetry (1914–1945) in three TV episodes and accompanying online course content; the plan centers on high-profile interviews and extensive footage, leveraging HarvardX as a backlot to boost production quality while aligning with Teaching and Learning priorities, with draft budgets and WGBH negotiations to follow, and a February Whitman-related event suggested to premiere the project.
Source: House Oversight Committee
Proposal for 500,000 Funding for Poetry in America Project
This internal email thread outlines a plan to raise $500,000 as a Harvard gift to Poetry in America (via EdLabs) to fund a three-episode, high-production post-production and distribution project on Modernist American poetry (1914–1945), including interviews with prominent figures and on-location shoots, with HarvardX serving as the backlot for WGBH to deliver TV-quality material while advancing Harvard’s Teaching and Learning priorities; the donors would control the disbursement, a draft budget and budgetary details are proposed, and a February Whitman screening is suggested to accompany the launch, while noting that school-based curricula would come later and that the correspondence contains confidential internal guidance.
Source: House Oversight Committee
Proposal funding for Poetry in America at Harvard
Harvard professor Lisa New proposes securing a $500,000 Harvard gift to Poetry in America via EdLabs, with discretion over disbursement to HarvardX and WGBH, to fund post-production and distribution of a Modernism-focused history of American poetry (1914–1945) in three TV episodes and accompanying online course content; the plan centers on high-profile interviews and extensive footage, leveraging HarvardX as a backlot to boost production quality while aligning with Teaching and Learning priorities, with draft budgets and WGBH negotiations to follow, and a February Whitman-related event suggested to premiere the project.
Source: House Oversight Committee
09-COVER STORY.01
This piece is a wry, insider’s diary of the 83rd Academy Awards weekend, tracing the race between The King’s Speech and The Social Network while chronicling the swirling world of pre- and post-Oscar parties, red-carpet maneuvers, and the publicity machine that can make or break a film. Through the eyes of Fran Lebowitz, it captures the glamour, gossip, and strategy—from Peggy Siegal’s Oscar-season theatrics to Harvey Weinstein’s tireless campaigning, to the fashion crises and luminous chaos of the Beverly Hills hotels and Vanity Fair soirees. It also situates the moment in a larger world of headlines and political undercurrents, showing how the glitz and grind of Hollywood intersect with real-world stakes. The result is a vivid, witty portrait of how one crown is won not just by art, but by audacity, access, and image.
Source: House Oversight Committee
Proposal for $500,000 funding of Poetry in America project (Harvard/EdLabs/WGBH)
This 2014 internal email thread between Lisa New and Jeffrey E. outlines a plan to raise roughly $500,000 as a Harvard gift to Poetry in America (an EdLabs/HarvardX initiative) to fund post-production and distribution of a Modernist American poetry series (1914–1945) across three TV episodes and online courses, with donor discretion over disbursement to HarvardX and WGBH, detailed production and budget notes, proposed interviews and filming locations, and a strategy to align with Harvard’s Teaching and Learning priorities while leveraging WGBH, plus next steps to refine the narrative, attach draft budgets, and schedule a Whitman reading event.
Source: House Oversight Committee
Poetry in America for Teachers II: The Poetry of Earth, Sea, and Sky
Poetry in America for Teachers II, an initiative of Harvard Graduate School of Education, HarvardX and WGBH, fuses poetry with science, environment, and the visual arts through hundreds of archival images and live footage—ranging from the Mayflower landing to Emily Dickinson’s manuscripts—and features conversations with thinkers like Michael Pollan, Al Gore, Lawrence Summers, Ray Dalio, Walter Isaacson, and Henry Louis Gates to illuminate poems by Dickinson, Whitman, Frost, and others. It delivers two classroom-ready television episodes and a fully credited middle- and high-school teacher course, with materials tested in New York and Houston through EdLabs.
Source: House Oversight Committee
Proposal for $500,000 funding of Poetry in America project (Harvard/EdLabs/WGBH)
This 2014 internal email thread between Lisa New and Jeffrey E. outlines a plan to raise roughly $500,000 as a Harvard gift to Poetry in America (an EdLabs/HarvardX initiative) to fund post-production and distribution of a Modernist American poetry series (1914–1945) across three TV episodes and online courses, with donor discretion over disbursement to HarvardX and WGBH, detailed production and budget notes, proposed interviews and filming locations, and a strategy to align with Harvard’s Teaching and Learning priorities while leveraging WGBH, plus next steps to refine the narrative, attach draft budgets, and schedule a Whitman reading event.
Source: House Oversight Committee
Poetry in America for Teachers II: The Poetry of Earth, Sea, and Sky
Poetry in America for Teachers II, an initiative of Harvard Graduate School of Education, HarvardX and WGBH, fuses poetry with science, environment, and the visual arts through hundreds of archival images and live footage—ranging from the Mayflower landing to Emily Dickinson’s manuscripts—and features conversations with thinkers like Michael Pollan, Al Gore, Lawrence Summers, Ray Dalio, Walter Isaacson, and Henry Louis Gates to illuminate poems by Dickinson, Whitman, Frost, and others. It delivers two classroom-ready television episodes and a fully credited middle- and high-school teacher course, with materials tested in New York and Houston through EdLabs.
Source: House Oversight Committee